Showing posts with label Comic Books. Show all posts
Showing posts with label Comic Books. Show all posts

Tuesday, November 20, 2012

So...That just Happened; a Spoiler-Free Review of Amazing Spider-Man #698 - Updated with Spoilers at the bottom

Now, I've read Spider-Man for a while.  I weathered the later parts of the JMS run, yes I am talking about Gwen Stacy/Norman Osbourne's kids.  Hell, one of my fondest comic shop memories was being a boy when the final issue of the Clone Saga and summarily shitting on it for a solid hour with older, cooler customers.  I enjoyed much of the post Brand New Day run.  I stopped reading at about Spider Island because I wanted to lighten my pull.  Anyway, I would say that the revelations made in ASM #698 rival those earlier ones.  Before I get into the vitriol though, I will say that as a writer, fake in my case, I understand where Slott is coming from.  Comic books thrive on new directions.  They're fictional characters, and the big reveal makes sense given events of the book, and the fact that it's a fucking funny books, so rules of what have you are arbitrary.  I mean the twist does make sense given the focus of the last year or two of the book, which I've skimmed.

Yup


However, as a fan of Spider-Man though; I absolutely hate every last fucking thing about it.  I loathe this new direction.  I'm hoping that this was an attempt to break the internet to push sales up for #700.  I do.  As yet again, it seems like another cheap fucking shock tactic that'll be sustainable for maybe 6-12 months of stories, until normalcy has returned.  Now, this may seem harsh as I'm getting mildly irate about the fate of fictional characters, but it's more than that.  I'm bothered that we all know how this is going to work out.  You troll the core fanbase; they get irked, as is happening here; this gains some legitimate "organic" "legitimate" media coverage; you get non fans into the stores; you get a six month bump; the "nerds", myself included come back to the book, and we repeat.  I mean it's really that well it sounds like an abusive relationship really.  And at the end of the day, it doesn't matter.  But it's just an irksome, inglorious way to take things.  Who knows, I may be wrong; it happens, constantly; this entire blog is a monument to that.  I don't know; maybe this is the greatest thing ever, but my gut reaction is that it' just another cheap fucking twist to do get people, more popular ones, obviously, to do this very thing that I'm doing.  It's a vicious cycle.  Seems like a cheap, but rational and prefaced but just dirty feeling, twist that we'll go through for like 6 months-year.  Honestly, I think this may be one of the more reasonable responses to this that you'll see come tomorrow. So the verdict: I can respect the bold writing choices made by Slott; as a fan of Spider-Man I fucking hate this. I just hope this is a swerve before the new series.  Please?


UPDATE - SPOILERS BELOW









Yeah - Dock Ock switches bodies with Peter Parker; Parker dies in the feeble Doc Ock body.  Octavius is now Spider-Man; he's going to bang MJ.  Octavius tried to marry/bang Aunt May.  Weird.  Not sure how much juice is there. 

Tuesday, May 8, 2012

I just Assembled in my Pants: The Avengers movie and moving forward.

On Saturday, I had the pleasure of seeing Marvel's The Avengers, yes it should be Kirby and Lee's THe Avengers, but this is Earth- 1, or whatever, so that just isn't going to happen.  And yes, one could make the argument, and many have, that the ritualistic sodomizing of Jack Kirby through contractual chicanery may be grounds for not seeing the movie, but...fuck it.  Yes, cynicism has won, as always, and my movie dollar protest would change nothing is what I tell myself/ EXPLOSIONS/ I have paid to see far, far worse movies #Elektra.  Baby sized diatribe aside, on to the review of the film *spoilers ahead fictional reader*.

So, in a nutshell: The Avengers was, how do I put this, fucking awesome, no hyperbole.  I am more than likely going to see it again, in 3D, as there was a protest levied amongst the group that I went with.  Frankly, it didn't matter as the movie, while it started a touch more slowly than some would have liked, was wall to wall fucking awesomeness.  Seriously, Mark Ruffallo played the fuck out of a less dour, and infinitely more entertaining Hulk.  Jeremy Renner didn't fuck it up as Hawkeye and was actually pretty decent in the film.  While I have enjoyed Hawkeye in the comic books for years, much to the befuddlement of co-workers at Amazing Spiral, I was a touch nervous, but the character worked.  While I don't know if a Hawkeye feature is truly viable, I'd still probably see it.  Pretty much, the disparate character personalities that have always been a part of the legacy in the comic book/ the idea of gelling in the face of adversity really worked and brought much of the film's humor, which was a large part of it.  Even ScarJo worked for me in the movie, and I had my reservations about the character having seen Iron Man 2.  Aside from the more human elements of performance and chemistry, the fight scenes were rather deftly handled.  THere was genuine excitement during them, and they delivered in the categories of bombast and, yet again, surprising humor, to non- Whedonites...(I'm not surprised when he's funny; he's always funny...reference Cabin in the Woods review... calling it a review may be generous). 


*Spoilers*




About the end credits, yeah *Spoiler* I wish that I had not seen the *spoiler* about Thanos beforehand.  THe nice thing though, is that if you say the name in front of the average non fanperson they will have no fucking clue what you're talking about.  Had I not known about this, frankly, I would have freaked the fuck out, as a fan of the "Mad Titan".  Needless to say, my mongrel heart was beating.  So, yeah...go the fuck to the theaters and see the mother fucking movie.  While my enthusiasm is clear and earnest though, I am left with some questions moving forward.

#1 How the fuck do you top that?
Seriously, that's a tall order.  I'm sure that THanos wielding the Infinity Gauntlet (look it up imaginary reader) will make for an epic.  My real question though, is will audiences be satisfied by individual films moving forward?  I ask this because A) while the Iron Man movies have been  great to all right his rouges gallery is for shit.  You've got some scarred up chick he used to bang out, Madame Masque, a bunch of dudes in armor, Crimson Dynamo, Cobalt Man, Titanium Man etc., a Living Laser, Living Laser, natch, and finally the Mandarin.  While he has spent the better part of the last century being a throw back to the delightful and incredibly racist portrayal of Asians from the forties, think Fu-Manchu, but slightly less animal looking, he has been more recently portrayed as a timeless lunatic businessman, which could work.  You could also take the current Fraction arc, which involves a revitalized and enhanced rouges gallery working under the umbrella of the MAndarin.  Which could work because you don't need an entire movie to introduce say the Melter- he melts shit, is evil or Living Laser, he is turned into a laser, lives, is evil.  Just please, one thing: DO NOT DO DEMON IN A BOTTLE

While revered by comic book fans, the Demon in a Bottle story arc is for all intents and purposes...kinda shitty.  It starts off with Tony Stark getting caught up in the machinations of some island hermit protesting, I don't remember.  He catches a bunch of shit for his alcoholism, then he spends an incredibly dour issue dealing with his problems.  More to the point, Alcoholism does not make a compelling super villain for a summer tent pole.  Also, Ultimate Tony Stark is greater than symbol regular Tony Stark because he's a fun loving, poon hounding drunk, also regular Tony Stark's fortunes of late, have mainly revolved around getting shat on repeatedly.  And that's really it - the mildly drunk noble dilettante Stark works.  If I wanted to spend an hour in AA, I would go to AA.

#2 - The good thing though is that we've proven as a nation that the inherent silliness of the Marvel Universe can work.

We're willing to buy space gods as a culture, which is good.  This will allow for Atlanteans, Titans, Kree/ Skrull, anything to be doable in the films really.  Who knows, maybe one day we'll see Pietro and Wanda being raised by Bova on Wundagore mountain.  Maybe people will buy that a mutant with hex magic can totally love, marry, get knocked up by a robot, realize that the children were  actually the manifestations of said hex powers, watch them get turned into hands, no wait they're alive and the rest...maybe.  I mean they had the Chi...(whatever the Beta Ray Bill aliens) and it worked.  Going forward who knows what other shit that sounds silly when said aloud they could get to work on the screen.

#3 - And now the fan fic where I say what they should do for movies because anyone with an internet connection and a stack of comics and free time is qualified...at least I have semi-relevant degrees?

Captain America 2 - Simple, he fights Hydra in the present.  Done.  You've got A) juxtaposition with the first film that allows the viewer to see that even though the world may change around Captain America that the tenants of heroism do not.  B) Cap is best when doing the espionage thing.  Compare the Brubaker run to when Cap is say turning into a Werewolf or discovering a colony of hate bomb affected isolationists that act like its the 1800's.  Pretty much, Cap is best when he's doing his one man army/ slinking around thing.  Hydra as the foil allows for your Madame Hydra or your Baron Strucker.  You can fold whichever character you want under the umbrella - Taskmaster, Batroc the Leaper (what?), a rejuvenated Red Skull, Winter Soldier (They set it up enough in the first one), Crossbones...whomever.  And you can still do the whole man out of time, ceaseless moralizing while somehow making it bad ass thing that we all love Cap for.

Thor 2 - You do the whole adapt to humanity/ realize that our frailty gives us meaning shit from the first one.  You throw in Enchantress to add some romantic tension between him and Black Swan/ she's one of the viable villains.  The physical threat comes from the Executioner...he's got magic guns.  I'd say you could use Hela but you may want to go with a whole Chick A/ Chick B thing.  One is obviously evil, but the conflict comes from embracing godhood or humanity in bed/ he doesn't have the best rouges either...Radioactive Man...anyone.  He's a glowing Chinese national in a diaper.

Hulk - Do not deviate from the Ruffalo.  While we all love the conflicted dourness of the Bixby Hulk, enough already.  You go with the Ultimate Hulk as written by Millar.  Yes, he is afraid of it, but more of afraid of the fact that he enjoys it.  I also enjoyed the always angry thing.  Also, the Hulk can fucking talk.  He used to speak in complete sentences when first introduced.  There was Professor Hulk and Mr. Fixit.  Look, we all loved the TV show but we have to move forward.  Hulk gets off on it; he talks; we all enjoy the movie.  I don't know let's say he fights THe Leader or some shit...maybe throw in MODOK because I love MODOK, hate playing against him in MARCAP though.

Hawkeye and Black Widow- Fight AIM or something?  I mean either one is going to be a pat action thriller with espionage.  They'll probably be used fro universe building.  Either one could be good, but without the backstory on Widow (we doing infinity formula and similar products?) I mean if she's really a non aging 80 year old that could work maybe?  I don't know.  Hawkeye has the issue of Stark - nobody wants to see him fight Trickshot or whomever, Swordsman?  Sure, the argument could be made that you could put Winter Soldier in a Black Widow film, but that still leaves the questions of the Red Room/the whole being 80 thing that has not been addressed in the films/ may be hard to believe. 

#4 - So who else are they going to do?
 First off, legitimate genre websites have reported that Edgar Wright's long gestating Ant-Man is in production and that allows for the titular fun size wife beater to make an appearance/ probably a sloid movie.  This also allows for the Wasp to probably show up as well as Avengers mainstay villain Ultron/ the Vision.  As for the Vision, just...he's got the brain waves of the deceased Simon Williams, Wonder Man/ is a synthezoid/ can cry/ breed, but not really/ why don't his kids ever look him up actually?  Needless to say, his origins may be a touch convoluted, but you could just introduce Ultron and tease the Vision, who apparently nobody really likes.  I'd also say it wouldn't be the worst thing in the world to add an Ultimate Falcon type in as the sidekick in the new Captain America.  As the science type who happens to use a winged harness is far niftier than the guy with the disco collar that talks to a bird, one bird specifically/ Falcon is all right by me though.  I've also heard rumblings of  a Guardians of the Galaxy which would be tits/ really confusing to people I think/ who cares though it's big screen Rocket Raccoon?   Rambling aside, I think we're done here.

So, what did we learn Charlie Brown?
The Avengers was a pretty tits action movie with a lot of laughs/ giant explosions.  The bar is set higher for the rest of the films coming after it/ I waste a lot of time at work and in general, and nobody likes the Vision, apparently.   Also, I still don't know if I liked X-Men First Class better...just as a side note. 

Tuesday, April 10, 2012

Everything Old is new Again...Incredibly Late Gaming Reviews Aimed at Nobody in Particular

Pretty much, due to delays in the production of The Skull Base and a particularly strong case of writers block on Currently Untitled Novel, I find myself back here writing for the single digits worth of people who have come here from a google search gone terrifyingly right. As such, I feel it is my right, nay duty, to opine on the latest in video games...that have been out for over a month and in some cases set the internet on fire with divisive rhetoric not seen since probably yesterday. There will be mild to heavy spoilers. You will see the most succinct review of a video game ever. We will all learn something. Mild twitters may effortlessly escape the larynx. Key word is may. Without further obfuscation of intent, we shall begin.


Mass Effect 3


It would be overly facile to excoriate Bioware on the conclusion of this game. That being said though, it was ungodly irksome. Rgardless of this well worn conclusion, overall, I would say that Mass Effect 3 was a fitting conclusion to the series. Past characters returned and there was a true sense of grandeur that can only be found in galactic carnage. Former decisions did matter throughout the game's narrative in instances like when the Rachni Queen that I let live for reasons that currently escape me, 2010 blizzard drinking. My earlier decisions in regards to the fate of the Krogan popped back up. There were legitimately resonant character beats and moments, especially with Garrus, everyone's favorite character. Then, much like my favorite whipping boy (not the book) Lost, everything fell to shit in the last act.



The reason for this being that ,like in the third Matrix film another favorite butt of nerd rage, something totally out of left field comes which crushes the narrative under its imperceptible weight. The main reason that this was so infuriating is, of course, that Mass Effect, like other Bioware titles, lives and dies by the illusion of choice and significance that the player's decisions are weighted by. Massive left turn aside though for 95% of the game these decisions do seem resonant. In the final act, all of these choices and galactic skulldrugery are all decanted into a differing space battle cinema and one of three choices. In the end, it does not matter that I chose to be a dick for three games because my friend Happy had the same options after three games of paragon play. While the ending cinematic was scant and the conclusion left me hollow, the game itself was still engaging. However, as the terminal game in the series it left me wanting on the most fundamental of levels as I had become invested in the characters over the last half decade. If anything though, the vitriolic excoriation of the developers by their ardent fanbase is just a testament to how wildly invested we all are in their creation. Also, Multiplayer was kinda meh. I mean I enjoyed it, but I didn't enjoy being forced into it to get the best ending. Also the maps were scant as far as number but that has been remedied. Also, people use your fucking medi-gel. Why are you hoarding it?


While this may seem like nothing more than base recriminations of shoddy work, it is not. The game actually made me feel bad about things I did (even though I just kept clicking the trigger for the renegade action/ I wish Tali was like, "Stop it, stop it; he's already dead.") which has not happened since KOTOR (when I made the wookie kill his Twi'lek companion at the end). It is not glorified rock, paper, scissors and fake sounding Asian accents like Jade Empire. The DLC while partially on disc was as enjoyable as any other Mass Effect DLC and worth my ten bucks. The fact that my levels carried over from 2 made Vicious Shepard a force of destruction from the start (if you go vanguard level biotic charge all the way first you get 100% shields with every charge. It perfectly compliments my reckless play style.) I mean look, Bioware made an amazing franchise which unfortunately falls the fuck off the wheels in the last half hour. And while the RPG elements get diminished with each iteration, they mainly got rid of the most annoying elements of it (scanning planets for hours/ broken inventory system/ THIS IS NOT A SPACE TANK SIM). I was truly engaged and excited for everything but the end which after years of disapointment from games (Yeah Zanarkand is a dream/ you just played 5 hours of blitzball for a character's final weapon, a character you don't use/ Everybody not named Zell or Laguna in FF VIII/ This is getting off topic/ Grand motherfucking Pulse/ Maybe I don't like Final fantasy anymore? That's a bummer. I enjoyed the half of XIII I played, to a point/ Wait I maxed the game clock on FF-X 2...Marijuana is a hell of a drug.)



Anyway you've already purchased this game if you were going to. If you haven't played the others first, you should you're really missing out if you haven't (mainly on blind rage/ fluid shooting/ fully realized characters/ FUCK KILL HATE!/ one of the most engaging IPs in the last decade regardless of medium.)



On the DLC - Yeah Day 1 DLC is kinda shitty, but you don't have to buy it. From the download size it seems that it wasn't completed when the game went gold (this assumption, like many things relating to video game discussion, is based on errant speculation). I felt that it was worth it. I mean I can understand why people are cheesed about spending an additional ten bucks at release. I also understand how used games are diminishing funds available for necessary and ever ballooning production costs which make things like this semi-essential. For the record, if you're that concerned about said ten dollars you have things you should be focusing on instead of Mass Effect DLC. On to the next one then.





SSX



It's a new SSX game that does not have skiing. I don't know if I'm as up on it as I was SSX 3. You either enjoy SSX, or you don't. That's all.



On the DLC - If you want to pay to not play the game so be it.



Street Fighter x Tekken



On the one hand, I thoroughly enjoy this game. I find the art style works well to encompass the feel of both franchises even if it is squarelf routed in SSF4AC-etc. I find that the combo system has found a nice place between the comparative rigidity of non MarCap Capcom fighters and the more intuitive timing based combo system of Tekken games. Due to this though, I don't know if it will be a hit on the competitive scene which is fine for people like myself who do not have the free time or inclination to get to that level. While some people may lament the inclusion of the gem system and its changing of game mechanics, I would say this: calm the fuck down.





If anything, crushing online play is probably the greatest detriment to the fighting game industry; more to the point though my argument is such: people don't like to know that they're shitty at video games. If anything, many of us use them as a brief respite for the overwhelmingly shitty way we lead our lives. More to the point, I will now recount my first online fighting experience. Years ago, I thought I was awesome at DOA. It started with heated bouts on the Dreamcast in college. It culminated with me getting a perfect on my old roommate while having a phone conversation and smoking a cigarette. I then took these purported, and illusory it seems skills onto DOA Online on the original Xbox where I was repeatedly juggled to death by the most cutthroat middle schoolers in Japan. This trend has continued. I constantly got metaphorically sodomized on MarCap 2 online. While I could actually beat people in MarCap 3 online (Ultimate or vanilla), I fear that my skills have regressed since that one weekend in March 2011 when I was on fire. The point being is that some people get rather put off by getting continually brutalized online, and fighting games are no longer at the acme of genre dominance as they were in my youth. I feel that making a popular and mechanically inclusive game is probably the best thing that could be done. (This is the internet; my opinions are lar. If you don't like it, *gay slur* *challenge fandom*)




However, this does not mean the game is without fault. Offline modes are a little bare bones, but it is a fighting game, to the point that it doesn't even have traditional standards like survival mode and the mission mode only clocks in at 20 challenges. I'm not entirely enamored of having to use set teams in Arcade mode, but I certainly understand the issues involving the generation of cinemas and such given the large cast. While this may seem like a cursory and shallow list of grievances, well, it is. The core game is fantastic...aside from one glaring and monumental issue. The severity of said issue is grand and a threat to the core beliefs that I as an American consumer hold dear. This is no mere hyperbole. I must shout it from the rooftops, "I am super pissed about the on disc DLC."


On the DLC - It is infinitely more difficult to defend a third of the content being locked on disc due to wanting added content for the handheld release on the PS Vita. It is not the ungodly expensive and occasionally nifty bonus costumes: it's all the characters. There is no feasible way to justify this. Certainly, Capcom have taken the tact that this virtual partition has saved the consumer the inevitable and always necessary turbo hyper or championship edition of the game. At the same time though, what? I can't believe I'm saying this, but I would actually prefer the dreaded online pass in this situation even though the main reason that I bought the game when I did was because it was used and slightly cheaper and saved ten whole dollars. I don't know it's maddening. What is even more maddening though is the fact that I know I will give Capcom their 20 American dollars to play as Bryan Fury and the rest. Nothing else really on the topic aside from it being a vicious cycle. Much like with everything else, the combined passion of a million enraged fanboys will amount to a wet fart, blind submission, and the rest.

Thursday, February 2, 2012

Actual Loathing- The Shortlist of Things that are irksome



As this is an apparently annually updated blog with loathing in the title, I feel the need to kvetch about something or other. In fact, that's the other key part of fandom: listen to sports radio, read a message board anywhere, you're on the internet; you know the drill. As this is relating to fanboy-ism, they will mainly related to the topic. They will be ordered arbitrarily, yet all will be filled with overlong invectives that downplay the unabashed triviality of these matters. Commence bitching.





Oh, Jesus, I hope this isn't the start of Gang Bang Theory


1 - Stop asking me if I watch Big Bang Theory



I find the show to be exploitative of "nerd culture" (itself a corporate synergy painted as some sort of warm and fuzzy collectivism). I don't think that many Americans really get the jokes about physics (I've watched maybe 3 episodes in my life, never by choice). More to the point...stop saying Ba-zinga at me when I make a funny. I'm half joking on that one. My main issue with the show is that in those 3 episodes the show, set in a world with only DC exclusive comic book stores, gets things so very wrong about comic books. That's it. It's that the show, and countless other products of its ilk, attempts to look at a sub culture in a way that is presented as warm and humanizing, yet at the same time, is obviously nothing more than a thrown together hodge podge of sub culture tropes. Much like a say Napoleon Dynamite the concept is about embracing the differences and quirks of the characters, while deriving much of the laughs at the character's expense for these same quirks that they are allegedly embracing.


The other main issue that I have is that they get everything so very wrong. Granted, much of my knowledge of these issues comes from my friend who's wife enjoys the show he brought one issue to light that we both took umbrage with: NO SANE COMIC BOOK FAN WOULD EVER ASSUME THAT JASON TODD WOULD BE THE NEW BATMAN. I really just don't know how you could get this so wrong; unless of course you had no prior knowledge of the situation. While I would not demand that anyone slavishly go through the extended Bat Family bible, I would expect someone to take five minutes to do a google search and maybe read a fan poll.







Look awkwardly at the ground if you haven't killed someone...really? Jesus that's messed up

2- Stop telling me about how much you love AMC's The Walking Dead



Yes, the performances are solid and the production values are good. My issues with the show are as follows: The pace is maddening; if you're a new character not played by Norman Reedus, I hate you; they tried to explain where the zombies came from; I preferred a lot of the characters from the book, and the ones on the television seem to make even more questionable decisions.






Mainly though, my issue is that The Walking Dead is a slow burn as a comic book. In the course of its decade long run, certain character arcs and plot lines recycle. Chief amongst these are 1) Hey we're safe here...oh wait we're really not. 2) Maybe we can trust these people..oh wait we really can't. 3) Don't ever fuck with Rick...ever. But the ting about the comic book is that it comes in a shorter dose time wise, as in you can read an entire arc in about the same time as you'd watch an episode. There are also far crazier plot twists, and I shudder to think how The Governor will be "Nerfed" due to standards and practices as his repugnance is integral to his character. At the heart of the issue though is that part of what makes the comic book compelling is watching these characters lose their humanity while also dealing with extremely graphic plot twists (face shootings and bun bun murdering). Frankly, I don't think TV audiences are interested in that, or May-December relationships. Also, I want Shane to just die already.



My work computer is not made for moving around pictures it seems

3 - It's a business... Why is that so hard to fathom?


Nothing irks me more than when people complain about their favorite pirated comic book title. At the same time, I am also bothered when people complain to no end about X book that they buy religiously being crap. Here's the thing: If you want to keep reading say...Captain Britain and MI 13 (still bitter), pony up the three dollars. If you hate everything Bendis, stop buying everything Bendis (unless the message boards have moved on to someone new...it's been a while..in which case don't buy that.) While the Watchmen prequels seem like a terrible idea, it's a smart business move for a summer non-event. The casual fan will see the trademark cover layout and go "ooohhh", and the cynical fanboy is at heart a habitual completionist who literally cannot stop buying comic books. Personally, I'm disinterested in Before Watchmen, but at the same time, it beats a summer event that ties into the New 52 books that I'm reading. It has fantastic creative teams though, so that counts for something. While Watchmen is the sacredest of cape and tight cows, it's not the end of the world. Sure, poeple can lament that they would prefer something new with these teams or possibly an experiment like Watchmen done with different discarded characters. At the same time though, the industry is in decline sales wise and the teeth gnashing and vitriol of fanboys also speak to an inherrent fascination with the product. It leads to trending on social networks and search engines which leads to hightened visibility of the product. The point that I am again belabordly making is this: if you ond't like something, ignore it. If you enjoy something, pay for it. Yes, I just wrote a whiny diabtribe about not going on whiny diatribes, but it's the internet, so I'm right.

4- Enough with the teasers for trailers

Yes, I watched the 10 second Avengers trailer teaser. Just like last year's Captain America trailer, it is the main reason that I'm watching the Super Bowl, as the Ravens are not playing in it (in which case I would be ungodly drunk on Patron by half time). Yes, I encouraged it by clicking, but there is something to be said for surprises.

5 - Having horrible things happen to your characters is not the only way to write a compelling comic book for adults.

Right off the bat, I am a fan of Mark Millar and Garth Ennis. I named one of the characters in my still in progress book The Skull Base Doom Cock for chrissake. I would honestly say that Preacher is my favorite comic book of all time. I also enjoyed The Ultimates and the first Kick Ass (and movie) and the list goes on for quite a while. At the same time though, half of Kick Ass 2 seems like character development through guignol. We've got to see children shot, and gang rapes, and the rest to get across the point. It's not that these things don't have a place in the medium. It is not a call for censorship. It's that can we get some sort of greater meaning frmo it? I understand that The Mother Fucker is evil, and it doesn't really get more evil than gang rape and shooting children. It's just that in a lot of cases it really seems that shock value is taking the place of compelling dialogue or characters. In the case of the Mother Fucker, his father was killed. In the first series, the Mother fucker nee Red Mist was a sycophantic nebbish, to a degree, that was seeking his father's approval. Dastardly, sure. Evil, fucking right. Gang raping child murderer, not so much. It's really that nothing in his initial character arc indicated this turn to, specifically, a child murdering gang rapist. I mean I would be fine with it if the character was occasionally, "This thrust duiring this gang rape is for you dad" or "I shoot these children for the glory of the (Italian Name)". Frankly, if I want to engage in fetishistic sexual violence and general non normative abohrance, I have the internet (and how!).


The same is doubly true of The Boys, due to the length of the series. At first, it was a novel concept: you take analogues for the majority of the "big 2's" and show them as unrepentant deviants. You take your team of chemically empowered regulators and violence ensues. THe only issue I had with it was after 50 something issues it was still the same thing. While the characters themselves that make up the titular group were interesting, it really just seemed that too much of the book was taken up by people getting pissed on. Which is fine, but it just gets old after a while. Pretty much, my issue is that, personally, I pick up the books for character development and snappy writing, which both authors have shown in spades throughout their decades long careers. If I want to see a Mary Marvel analogue get pissed on by the rest of the JSA, I will type that into google and then click on images. That's it. It's a chicken and the egg. For the record though, I thought that Young Liars did the whole constant jaw dropping deviance right, and the first Crossed was at least novel in showing the gimmick. Call me old fashioned, but demonically possessed pregnant 10 year olds get tiresome after a while. Unless they move the story forward.

Friday, January 7, 2011

Top Nine Least Intimidating Iconic Comic Villains

The beauty of the top whatever list is that it is totally subjective. We read them on the internet and take them as cannon from upon high. Yet you can pretty much base them on a nebulous field of arbitrary metrics. I mean these are fictional characters that are written by a small army of creators for decades in some cases. With that in mind, and my natural proclivities towards the svengali lifestyle, I present you the reader with this definitive list of the least intimidating iconic comic book villains. Although we're going with nine because I'm lazy.

Now the reason that I am saying iconic comic book villains is that it would be entirely too easy to come up with a list of Mandrills and Boomerang themed villains to make a list of just plain old comic book villains. And that's why we'll begin with a semi shocking number 9.

# 9 - The Joker

The Joker, as everyone in most civilized nations knows, is the premier Bat villain. He provides a perfect foil for the cool and calculating Bruce Wayne by fundamentally countering him with a degree of organized chaos. Yet when we think of his main accomplishments, we think of killing Jason Todd and paralyzing Barbara Gordon - Robin 2 and Batgirl respectively. Fundamentally, he's a way more likable Joe Jackson because he's famous for beating kids.

In fairness, Jason Todd does suck pretty hard.

Secondly, there is the infamous boner issue. I think nothing more needs to be said that cannot already be taken from the source material. Having read he issue in its entirety the only thing that is missing is the phrase, "I will literally choke the Batman with all of these delicious boners."

No caption joke will top this. I don't know; think about your favorite Tobias Funke quote and imagine that you're reading that.

The next point is that before there was Harley Quinn there was this guy: Gagsworth A. Gagsworthy.

Break yo'self Pierrot le fou.

He dresses like Pagliocci, and his powerset involves headbutting Robin in the tender vittles. Granted he only appeared once before being dusted off a year ago, but he's a midget dressed like Pagliocci that headbutts Robin in the midsection.

# 8 Venom

When I was a boy, the undisputed niftiest talking Marvel figure was Venom because of his vocal and unabashed devotion to brain eating. (Not in the way Nicki Minaj intends to.) Now while Venom is a beloved character, he's on this list for a few reasons. Number one being that he went from a cannibal to a lunatic anti hero in the 90's. And lunatic anti heroes never work.

He's everywhere you want to be.

The main reason though is that while we think of Venom most people think of Eddie Brock or Mac Gargan, but, in actuality, the symbiote is a bit of a whore. In total there have been seven people that have been taken over by the symbiote without including the brief Venoms such as Franklin Richards. And there is nothing more disturbing in Spider-Man comics than this image.


That's going on my boner jams '11 post.

Finally, Venom is on this list because it's a product of the 90's really. He even went as far as to quote Homey the Clown in the final issue of "Maximum Carnage". Oh, and he's on here for never really getting closer to winning than a hundred year old czarist with a lion vest.



#7 - Magneto

He used to dress like this in the 80's.

We also would have accepted a joke about the aerobics movie "Perfection".

Now aside from rocking a gigantic M on his chest and resembling an extra from "Satan's Alley", Magneto is on this list for a few major reasons. Aside from his sartorial failings, Magneto finds his way onto the list for being not really that evil all things considered. He switches teams more frequently than Lindsay Lohan as he is currently back with the X-men. (the funny book Samantha Ronson it seems)

Granted, he has tried to take over the planet a few times, but he usually fucks up or is revealed to actually be a Chinese guy with a star for a head's evil twin who also has a star for a head. Also...he made a robot nanny for some reason and made out with the Wasp which is more puzzling than anything else.

Retcon: Because dammit I can't leave well enough alone.

He's an eighty year old holocaust survivor that was turned into a baby and then re-aged to his physical peak. He has time and again created an isolated mutant paradise and time and again found a way to totally biff it. Fake star head Magneto was felled in part by a man chicken mutant with a serious learning disability. So that's why Magneto is on here: he's not terribly evil all things considered.

#6 - Lex Luthor

While an iconic arch villain of the highest caliber, Luthor, who is oft lauded for his mental adroitness, has generated his own share of monumental boners. As a super scientist who perennially goes up against what is fundamentally a space god rendered as a man one wold imagine that he would be fairly adept with science. That said, one would imagine that he would know of the effects of wearing a ring made out of radioactive space rock for years. That he would know that he would eventually get cancer from it and then have to fake his death to put his brain in a clone body and that he would then have to pretend to be his own Aussie bastard son and speak in a fake Australian accent. After being trapped inside a self made prison of rapidly decaying clone carrion, Luthor would return to the land of the mobile in traditional comic book fashion: pact with not Satan.

After his brief period of demonic supplication, he would make the move that many real world types who have made a pact with Beelzebub-lite would: He would become president. Now what would an effective villain do in a seat of power to truly destabilize things? Would he say launch a global war under false pretenses? Would he not care about black people? Would he eventually get all juiced up on a steroid/kryptonite mix and rampage in the streets? If you guessed the last one you would be correct.
Had a higher approval rating in the power suit than Bush did.

And to top it off Luthor can currently be seen in the starring role of the frankly fantastic Action Comics...banging a robot Lois Lane. It works in the comic although I'm kind of surprised that nobody has made any "Lars and the Real Girl" jokes. Also, he used to reside on a planet called Lexor. This has nothing to do with diminishing his evil quotient; it's just a tad convenient. Oh and as a fun side note he's appeared in slightly more comic books that our very real current president.

Still slightly less evil than real Sarah Palin

#5 - Apocalypse

He's got a giant A on his belt in case he ever forgets his name. More importantly he has had 5000 years to...constantly get beaten. In the future, he gets beaten by a teen Cable. In the 80's, he got beaten by the old school X-Men who were operating as X-Factor at the time (with the help of Power Pack. For those who don't know Power Pack is comprised entirely of super powered 8 year olds.) He gets beaten by a clone of Cable. He mind hops into the body of Cyclops and gets beaten by Jean Grey and then his astral form gets nut punched by an adult Cable. While constantly losing is the hallmark of most malefactors, it's the manner in which most of these happens that places him on here.


However, C is still very much for cookie.

Mainly, he creates his own antagonists. He empowers old timey geneticist Nathaniel Essex into the subtly sobriqueted Mr. Sinister, who turns on him and creates the Jean Grey clone/brood mare Madelyne Pryor who births his arch nemesis Cable. Apocalypse in turn infects Cable with a techno organic virus that necessitates Cable being sent to the future...where he kills Apocalypse. In this future though Apocalypse attempts to transfer his consciousness into Cable's clone Stryfe. This plan goes tits up when Stryfe goes back in time (Sans a sweat ass Huey Lewis soundtrack) and kills Apocalypse...kinda. Most famously, Apocalypse grafted bad ass robot wings to a wingless Warren Worthington and also put Adamantium back on Wolverine's bones. Currently, the two are in the phenomenal "Uncanny X-Force"...trying to kill a child clone of Apocalypse.

If they really wanted to make him suffer they'd take him out after the last day of middle school.

#4 - Darkseid

Simply put for an ageless embodiment of deistic malfeasance he spends a lot of time doing seemingly pointless things on Earth. His ignoble start came in the insane/brilliant 4th world opus of Jack Kirby where he was first featured in the pages of Jimmy Olsen where he was supplying guns to mobsters. The part of this that I find odd is that here we have a nearly invulnerable space God selling guns to mobsters. (although in fairness the Monitor who...uh monitored the multiverse got his start in the same way.)

And that's really the main theme running throughout this waylaying of the character: for a nearly omnipotent space God he spends a lot of time slumming on Earth. The most recent example is found in the criminally underrated "Final Crisis". In the crossover, Darkseid finally wins when the Anti Life Equation is unleashed on an unsuspecting Earth. Before that though Darkseid and his cadre of dark gods survived the unrepentantly assy "Death of the New Gods" by coming back as kinda dated urban stereotypes. Glorious Godfrey came back as Al Sharpton...again. And Granny Goodness came back as Missy Elliott in the "Ladies Night" video (I had to think of a video from that epoch when she was not wearing a trash bag or dressed as Mega Man.) Darkseid returns as Ving Rhames in "Pulp Fiction". Now what do you do when you've cheated death after having your heart ripped out by your son? If your answer was make teenagers fight in a nightclub you are on your way to being a space tyrant.


"You and me are straight but you've lost your New Atlantis privileges Aqualad."

The final reason that Darkseid is on the list at the number four spot is that when he did murder his son with a backward firing time bullet he did it somewhere where Batman could find it which eventually lead to his circuitous downfall. (Don't worry the real villain was an entropic pan dimensional vampire.) In concert with that, his final final plan that also hinged on outwitting Batman (in an entertaining fashion that would be even more convoluted sounding frankly.) Nobody outwits the Batman...even Rainbow Batman.

In the Golden Age he used to say that criminals were a fearful and color blind lot.


#3 - Sabretooth

Precious few like the character Sabretooth as much as I do. Every time I meet a blond I stand in front of her, snap my fingers, and yell out "Birdy!" If she does not proceed to pull out an excessively cumbersome machine gun that shoots out three slow moving square bullets, I move on with my day. Ridiculously outdated in-jokes aside; Sabretooth is on this list for one reason: he's a fucking Highlander and he once lost to Power Pack. Yes the litmus test for super villains is whether or not they are bested by a group of juiced up 8 year olds. If you can think of better criteria, I'd like to hear them. (Also never do a google search for images of Power Pack. Just trust me on that one.)
The worst part in all of this is that the only thing on this cover you'll never see again in a Marvel comic book is the lit cigarette.

Now onto the Highlander portion of this - It's been revealed that Wolverine and Sabretooth belong to some subset of wolf people. They're not mutants, and they can only be killed by getting decapitated by a magic sword that's forged from a shard of Wolverine's soul. Now if that sounds like the premise to some sort of Highlander themed Kingdom Hearts then you and I are on the same page as sad as that is.
It doesn't help that he also started dressing like an extra from "Hair" at the end of it all.

The other reason that Sabretooth is on here is that well he's kind of a bitch. He's been a lackey for Mister Sinister for much of his career and in his solo efforts he's often getting taken out by everyone from Ms. Marvel to Iron Fist. He was represented as being borderline exceptional (read the R word) in the first X-men film. And his Ultimate incarnation was adroitly referred to as a budget Wolverine. Also, he's mainly famous for killing regular ass people on the side while doing some super villainy. And when he was unceremoniously decapitated was when he was seeing a bit of a revitalization in Mike Carey's run on X-men adjectiveless.

#2 - Mephisto

Now while a lot of the uninitiated may be scratching their heads as to why a villain they've never heard of is on here; let me make this simple: He's Satan...kinda. And they don't get more iconic than that. Besides, all the fanboys know why he's on here: One More Day.

It is actually sillier than this. I shit you not.

In One More Day, Satan pretty much erases Spider Man's marriage because comic book fans could relate to a man with Spider powers but not one with a banging ginger wife. So he saves Aunt May's life and totally change the status quo in exchange for the love shared between Peter and MJ, and he's Satan. If anything you'd think that if he was trying to create true suffering in the world he'd prolong marriages indefinitely. (Snare drum and comment about the pepper steak to follow)

"Fine." - Spider-Man as played by 1 out of 2 married Americans.

Aside from that, it's the standard case of creating his own enemies (Ghost Rider), being fairly ineffectual at Satan-ing (See above), and possibly being an evil cave mutant that mutated into the concept of Satan as some sort of inborn mutation that is triggered by man's natural place in the universe guarding the asexually reproduced fetus of a race of space Gods that take eons to gestate and mature. (It's totally out of continuity..maybe)



#1 - Dr. Doom

While he may lay down the sickest rhymes, he still tops this list due to myriad reasons. For the sake of brevity only the key ones shall be discussed. First among them: he's the biggest "mama's boy" in all of comics. In fact, without his near zealot levels of mommy need he wouldn't even be Dr. Doom in the first place because he never would have constructed the Hell viewing machine to communicate with his dead mom. He has also gone as far to travel to the realm in attempts to rectify the situation.


Just because it's awesome dammit.

When he isn't engaging in sense shattering oedipal action, he's busy saving Christmas. Long story short Doom shoots down Santa and is then tasked with completing his rounds of gift giving and cookie thieving. Which is actually the antithesis of evil. For an encore, he and the Black Panther examined the true meaning of Kwanzaa.

Fought Hannukah Harry to a standstill though.

This one may be kind of a low blow given that he is a fictional character and as such occasionally serves in a misguided metaphorical capacity, but this bears examination due to the inanity of the proposed rhetorical impact: He cried at Ground Zero. Now, it's certainly the most resonant moment in modern American history, but he's a cartoon murderer/ terrorist. He spends much of his time attempting to destabilize regions with little care for collateral damage. Pretty much, it's yet another attempt to ham fist current real world events into a stylized and fictional world. When handled in such an awkward fashion, it trivializes these very real events because it renders them within a realm of very unreal consequences; as this is a universe in which death is merely a hiccup. From a character standpoint it makes the sovereign of Latveria kind of look like a bitch all things considered because as Kanye West would put it "HE'S FUCKING EVIL." If taken as in continuity, I feel that his interactions with Norman Osborn in their cabal would have read as such:

Dr. Doom - Norman given our position of unparalleled power I feel that this vendetta you're carrying out against Spider-Man is little more than a schoolyard skirmish or bathroom wiener measurement contest.

Norman Osborn - Of course you'd say that. you were after all featured on CNN crying like a bitch. Would you care for Ms. Hand ordering you a wahburger and french cries from Five Guys? Or would you prefer that instead of taking out Spider-Man we take out Dr. McDreamy for toying with Meredith's emotions for the past few seasons?

It gets me every time. She remembers who she is for just a second after they read that notebook. Be strong Doom. Be strong...

And in closing there's the fact of Dr. Doom's most embarrassing losses. The first one is the case of Doom stiffing Hero for Hire Luke Cage out of about $800. Granted this was the 1970's and Cage may have needed tiara polish. Anyway, the plot of the issue is that Luke Cage borrows the Fantasticar, raises hell through the sleepy fake nation of Latveria, and gets his money without choking nary a bitch and fighting Doom to a relative standstill. The reason that I mention this is that he could also use the money to pay his nanny Squirrel Girl...who also bested Doom once. And is like Aquaman, but she talks to squirrels. She's an ideal foil to the dogs from "Up" I guess and has a tail and gigantic teeth. That is all.

Quake with fear!